A detail from page 288 of Family Man. Madness to think we’re closing in on 300 pages! I can’t wait to start organizing all these pages in preparation for the print edition of Volume 2.
I‘m gearing up for a visit to Toronto to attend the Toronto Comics Arts Festival! I’ll be there from May 11-12, enjoying the sight of all those friendly Canadian faces.
Come find me there, Toronto residents – I can only make the trip every few years, so you may not see me in the Eastern provinces again anytime soon! (B.C. residents, on the other hand, can take heart – I’ll be at VanCAF just two weeks later.)
Lately I’ve been producing large portions of my work in Manga Studio 5. It’s a lovely, brisk program geared towards comics artists like me, and it’s helped speed the art process behind Family Man considerably. Most of the reasons why are not very apparent unless you’re an artist who combines traditional and digital media.
More visibly, it makes a difference in my preliminary drawing – the underlying, less-than-perfectly-tidy art which I’ll eventually trace with ink to create the final lines.
Previously I’d draw all my pages on a lightweight sheet of oversized printer paper with a mechanical pencil and a gum eraser, running it through a scanner, and spending time tidying up all the smudges and edits, (after which I turn the image a light blue for tracing purposes and print it out on sturdy inking paper). Which on a good day looks like this:
And now, working digitally in MangaStudio5, my preliminary art looks more like this:
Not only is it already the right color for me to print out and ink onto, but it’s 100% smudge-free, doesn’t use up that extra sheet of paper, and is totally editable. It’s also just kind of cool-looking.
With any luck, there are no visible differences in the very end product – just a quicker and more pleasurable trip to arrive there. I’m an artist who’s rarely satisfied to just rely on a single set way of achieving a result, and I love finding new tools that suit the way I’m working on any given day.